for those who never gave up their turntables
THIS IS THE FIRST in a series of ten articles listing and addressing the #1 records of the year as they appeared on Cash Box magazine’s Top 100 chart from 1960 through 1969. It was originally published as “Save The Last Twist For Me” on my publication Tell It Like It Was on Medium on January 1, 2019. [Continue reading]
IT’S NO SECRET that most of us form strong emotional bonds with things during our teenage years. This includes attachments to humans (think your best friend), food (think pizza), even sports teams (think “Go, Phillies!”) This seems especially so about music: usually, whatever the hits on the radio were that we loved when we were 15-years-old, we are going to love—for better or worse—until we are 95-years-old! [Continue reading]
THE YEAR 1966 was rather magical for me in regards to music and records. I was 14-going-on-24 and the music with which I connected—the charm, the magic—has lasted all these years. There were a handful of records from that year (I should say that era, as 1966 seems like an era unto itself, lodged in between the British Invasion and psychedelia) that have an effect on me like few others. [Continue reading]
IN THE OPINION of many pop music aficionados, the best all-around album by a white female pop singer recorded and released in the ’60s was Dusty Springfield’s DUSTY IN MEMPHIS. But, for my taste, the lady with the best pipes and the best all-around taste in the songs she chose to record was Petula Clark. [Continue reading]