BeanieBabies 1 1500

about collectables and their alleged collectability and value

BUYERS AND SELLERS of collectables—whether records or mem­o­ra­bilia or Beanie Babies—often fail to achieve their goals of fi­nan­cial suc­cess be­cause they do not un­der­stand a few basic concepts on determining col­lec­tability and value of the “seldom found.” Be­cause this a record col­lec­tors web­site, I will gen­er­ally refer to records below, but you can sub­sti­tute al­most any other col­lec­table and the com­ments re­main vir­tu­ally un­changed. [Continue reading]

Records LPs PopRock 1500

my first record show as a dealer (rock of ages part 1)

WE HAD BEEN TOGETHER for a year when we fi­nally de­cided to make the move from the sultry sum­mers of the East Coast to the more mod­erate West Coast. It was 1978 and the dreams of ‘the six­ties’ didn’t seem so far off. Working two jobs each, we had saved the equiv­a­lent of $10,000 in to­day’s dol­lars. [Continue reading]

WITS header x3b copy 3

the avid collectors’ guide to wild in the streets part 4

THIS IS PART 4 of the Avid Record Col­lec­tor’s Price Guide to Wild In The Streets. It ad­dresses in de­tail the four al­bums as­so­ci­ated with that movie and its music. The first three parts have been pub­lished, and with this part I fi­nally get around the a la­be­l­og­raphy and price guide for the records. [Continue reading]

RRR turntable BobClark 1500

introduction to rather rare records

(a blog for those who never gave up their turntables)

MY INTRODUCTION TO WRITING RECORD REVIEWS was for my high school news­paper in 1969. Like most nerds with cool record col­lec­tions given a pulpit, I wrote con­de­scendingly about the artists and music that my class­mates liked. I re­member damning Glen Camp­bell and dis­missing Cream’s farewell album. [Continue reading]

Dalley BigWaveSurfer 1600

surfing guitars and instrumental surf bands of the early ’60s

ARGUING THE ‘BEST’ ROCK GUITAR PLAYERS of the ’60 is prob­ably a pretty dumb way to waste time—and “Surfing Gui­tars” will not be doing that! Con­sid­er­ably more con­struc­tive and in­ter­esting would be an ar­gu­ment as to who were—and that’s in­ten­tion­ally plural—the most ‘cre­ative’ players. Of course, to reach any kind of con­sensus there would re­quire that we first agree on a de­f­i­n­i­tion of ‘cre­ative’ in that context! [Continue reading]

Coffee CupJava 1500

I’ll give you a hundred bucks for it right now!

THIS IS ONE OF MY FAVE STORIES about in­ter­acting with a col­lector at a con­ven­tion. For the most part, I learned far more from col­lec­tors than they learned from me in these face-to-face ex­changes: what­ever I heard of value went into my price guides. But there were in­stances where I was def­i­nitely of value to a collector. [Continue reading]

JuttaHipp ZootSims 1500 crop

fighting over jutta hipp at a record collectors convention

WAY BACK IN THE ’90s, I at­tended a couple of record col­lec­tors con­ven­tions on the East Coast. One was in New York, one in Vir­ginia, both within days of each other in 1996. Set­ting up as a dealer at an East Coast show was some­thing that I hadn’t done since leaving Penn­syl­vania eigh­teen years ear­lier! [Continue reading]

GirlRecordCollectors

how to meet girls at record collectors conventions

BACK IN THE ’90s, when I was pub­lishing record col­lec­tors price guides with Krause Pub­li­ca­tions, I started working on a book ten­ta­tively ti­tled INTRODUCTION AND GUIDE TO RECORD COLLECTING. I in­tended it to have 100 mini-chapters on var­ious as­pects of collecting—from learning to iden­tify orig­inal press­ings and knowing the dif­fer­ence be­tween a re­pro­duc­tion and a bootleg, to how-to’s on buying and selling at col­lec­tors conventions. [Continue reading]

JohnFred AndHisPlayboys LP 1500 crop2

cantaloupe eyes come to me tonight

WHEN I ARRIVED AT MY OFFICE on a day in early 1987, I was handed a package that had ar­rived ear­lier. As I worked at home more often than “at work,” my schedule of ar­riving and de­parting varied from day to day. My job was ed­itor of a line of price guides for record col­lec­tors pub­lished by O’­Sul­livan Wood­side and for­merly as­so­ci­ated with other authors. [Continue reading]