the avid collector’s guide to wild in the streets part 3

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THE AVID COLLECTOR’S GUIDE to Wild In The Streets Part 3 ad­dresses records made that are as­so­ci­ated with this movie—both sin­gles and al­bums. All were re­leased in the wake of the very suc­cessful movie in 1968, but few were hits. Be­fore com­mencing, I rec­om­mend that you first readOn Wild In The Streets As Polit­ical And Social Satire” and then the first part of this four-part se­ries of ar­ti­cles about the movie and its music. READ MORE

the avid collector’s guide to wild in the streets part 2

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THE AVID COLLECTOR’S GUIDE to Wild In The Streets Part 2 ad­dresses records made that are as­so­ci­ated with this movie—both sin­gles and al­bums. All were re­leased in the wake of the very suc­cessful movie in 1968, but few were hits. Be­fore com­mencing, I rec­om­mend that you first readOn Wild In The Streets As Polit­ical And Social Satire” and then the first part of this four-part se­ries of ar­ti­cles about the movie and its music. READ MORE

the avid collector’s guide to wild in the streets part 1

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IN 1968, AIP’S NEW MOVIE was not about bikers, babes, and devils. While “Wild In The Streets” was an­other Amer­ican In­ter­na­tional Pic­tures ex­ploita­tion B-movie, it was also a clever com­bi­na­tion of black humor, so­ciopo­lit­ical satire, and some gen­uinely good rock & roll. The Avid Col­lec­tor’s Guide to Wild In The Streets Part 1 ad­dresses the records as­so­ci­ated with that movie and its music. READ MORE

“the wild angels” is now a quinquagenarian (happy 50th!)

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FIFTY YEARS AGO TODAY, one of the quin­tes­sen­tial ’60s rock & roll sound­track al­bums to one the ’60s quin­tes­sen­tial biker ex­ploita­tion moves was re­leased. Ac­cording to Wikipedia, THE WILD ANGELS movie saw its gen­eral re­lease to Amer­ican the­aters on this day. The sound­track album of the same name was re­leased by Tower Records, an im­print of Capitol Records. READ MORE

the return of max frost and the troopers (is this part 6 of the pseudo-psychedelic chad & jeremy essay?)

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THIS ARTICLE IS AN ADDITION to the five part essay on the pseudo-psychedelic record­ings of Chad & Je­remy from 1967-68. Please read those first and then this will make more sense. A note of in­terest to the real diehard Chad & Je­remy col­lec­tors: the ver­sion of Paxton Quigley’s Had The Course that ac­tu­ally ap­pears on the sound­track album THREE IN THE ATTIC was recorded by ses­sion mu­si­cians and cred­ited to Max Frost and The Troopers. READ MORE