for those who never gave up their turntables
“BACK THROUGH THE OPERA GLASS” is the title of three lengthy articles that review most of the Beach Boys album covers released on major labels in the US. It is subtitled “The Stories Behind the Album Covers” and was written by Malcolm Searles. This massive project covers every important album from 1962 through the present. [Continue reading]
THIS IS THE TENTH in a series of ten articles listing and addressing the #1 records of the year as they appeared on Cash Box magazine’s Top 100 chart from 1960 through 1969. It was originally published as “Someday We’ll Be Honky Tonk Women Together” on my publication Tell It Like It Was on Medium on October 1, 2019. [Continue reading]
THIS IS THE FIRST in a series of ten articles listing and addressing the #1 records of the year as they appeared on Cash Box magazine’s Top 100 chart from 1960 through 1969. It was originally published as “Save The Last Twist For Me” on my publication Tell It Like It Was on Medium on January 1, 2019. [Continue reading]
IT’S NO SECRET that most of us form strong emotional bonds with things during our teenage years. This includes attachments to humans (think your best friend), food (think pizza), even sports teams (think “Go, Phillies!”) This seems especially so about music: usually, whatever the hits on the radio were that we loved when we were 15-years-old, we are going to love—for better or worse—until we are 95-years-old! [Continue reading]
THE HOLLIES ARE FROM MANCHESTER—everyone knows that, right? Hah! I bumped into a young couple at the Bellevue Transit Center. Handsome young man with a very pretty girl. Both in their mid 20s, both spick-and-spanned and nicely attired. When we exchanged “Hellos” I heard the accent and asked them from which part of England they hailed. [Continue reading]
WHAT EXACTLY IS A ROCK & ROLL ALBUM? To answer that question, we need to answer another: What is rock & roll music? After sixty years, we still don’t have a definition that everyone agrees with! Arguments about its definition and its origin in the early ’50s—no wait, was it the late ’40s?—have [Continue reading]
THE YEAR 1966 was rather magical for me in regards to music and records. I was 14-going-on-24 and the music with which I connected—the charm, the magic—has lasted all these years. There were a handful of records from that year (I should say that era, as 1966 seems like an era unto itself, lodged in between the British Invasion and psychedelia) that have an effect on me like few others. [Continue reading]
GREAT SINGLES IN 1967 by established artists that should have been BIG hits but weren’t were common. For example, Buffalo Springfield’s Mr. Soul, the Byrds’ Lady Friend, and the Hollies’ King Midas In Reverse (and I could go on but that’s grist for another mill). But perhaps the biggest disappointment was the Rolling Stones second single of the year, We Love You / Dandelion. [Continue reading]
THIS ARTICLE addresses the first few years in which deleted record albums flooded retail stores across the country. Stores that had never contemplated a bargain bin in their record department started one and record-buying was never the same. But these records should have had a huge impact on the early record collectors price guides, but did not. [Continue reading]