for those who never gave up their turntables
IN 1970, local rock star and entrepreneur Joe Nardone opened a teenage dance hall on the Public Square of downtown Wilkes-Barre, Pennsylvania. Formerly the Stardust Ballroom, it was a second floor affair where couples had practiced ballroom dancing. It was just above the old Paramount Theater, then a first-run venue for new movies. [Continue reading]
IN THE OPINION of many pop music aficionados, the best all-around album by a white female pop singer recorded and released in the ’60s was Dusty Springfield’s DUSTY IN MEMPHIS. But, for my taste, the lady with the best pipes and the best all-around taste in the songs she chose to record was Petula Clark. [Continue reading]
I INITIATED A NEW TOPIC on the Record Collectors Guild website in September 2004 titled “The Pseudo Psychedelic ’60s.” I had hoped for a lengthy and engagingly argumentative and informative thread that went on forever. Below is what I got instead: it was fun, but I did not really leave it with more knowledge that when I launched the conversation. [Continue reading]
BUYERS AND SELLERS of collectables, whether records or record related memorabilia or bloody Beanie Babies, often fail to achieve their goals of financial success because they do not understand a few basic concepts concerning the nature of a collectable—any collectable. Because this a record collectors website, I will refer to records in this essay, but you can substitute almost any other collectable and the comments remain virtually unchanged. [Continue reading]