Byrds 1965 airport copy

a requiem for those timeless good good good vibrations

THE MAJOR RECORD COMPANIES usu­ally re­leased new ti­tles on Monday, or at least they did in the ’60s. On April 12, 1965, I rushed home from school and ran up­stairs to my room and tossed my books on my bed and pulled my money out of my drawer and ran downstairs to the garage and picked up my bike and zoomed off to Joe Nar­done’s record shop and bought Mr. [Continue reading]

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on brian wilson and SMiLE (a convoluted conversation part 1)

WAS THE LEGENDARY “SMILE” ALBUM based on Brian Wilson’s ex­pe­ri­ences with LSD? Did Brian con­sciously or un­con­sciously in­cor­po­rate as­pects of Zen Bud­dhism into SMiLE? Who was Arthur Koestler and what did he have to do with SMiLE and what the hell is ‘biso­ci­a­tion’ and why is it a part of a con­ver­sa­tion on Six­ties rock music? [Continue reading]

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david anderle’s won-won-wonderfully weird portrait of brian wilson

THINGS WERE GETTING WEIRD in Brian Wilson’s world when he met David An­derle. By the third quarter of 1966, many sig­nif­i­cant changes had taken place in his life and his sur­round­ings. PET SOUNDS and Good Vi­bra­tions and the SMiLE ses­sions that everyone in Los An­geles seemed to know about had brought a very dif­ferent kind of at­ten­tion to Brian that pre­vious Beach Boys records had not. [Continue reading]

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what was the first “rock” double-album of the ’60s?

 IT IS ACCEPTED “FACT” that two sem­inal works of pop­ular music—the Beach Boys’ PET SOUNDS and Bob Dy­lan’s BLONDE ON BLONDE—were re­leased on the same day, May 16, 1966. And there was a second reason to cel­e­brate that date: BLONDE ON BLONDE was also the first rock double-album of all-new studio record­ings, beating the Mothers of In­ven­tion’s FREAK OUT! [Continue reading]